December 12, 2024"What you are, you are by accident of birth; what I am, I am by myself." — Ludwig van Beethoven ↓ ↓ ↓ ↓ ↓ ↓ Hey look, a chance to support the newsletter!
Please let me know here if you can't see the ads. Thanks! ↑ ↑ ↑ ↑ ↑ ↑ There is only one Beethoven ...A young musician arrived in Vienna just as winter tightened its grip. He was 21 years old, fresh from Bonn, eager to stake his claim in a city that already shimmered with the music of Mozart and Haydn. He carried with him the weight of expectations. His name is familiar to us now -- Ludwig van Beethoven -- although very few people knew it yet. Vienna was the center of Western music then, and Beethoven came to learn from the master of his day: Joseph Haydn, the celebrated composer who had already earned his reputation as the “Father of the Symphony” and the “Father of the String Quartet” preceded him. He had innovated, refined, and elevated the forms that defined an age. Now in his 60s, Haydn was at the height of his fame, having just returned from triumphant tours in London and he agreed to take on Beethoven as a pupil. The date of their first lesson? December 12, 1792, so 232 years ago today. Now, Vienna had no shortage of aspiring musicians, and Beethoven was not Haydn's only student. For that matter, teaching him was not exactly Haydn's top priority. He was busy, juggling his responsibilities at the Esterházy court and composing new works to meet ever-growing demand. Their lessons began formally but the relationship quickly became complicated. Haydn’s approach to teaching was genial. He believed in fostering creativity without imposing too heavily on a student’s natural inclinations. For Beethoven, this was frustrating. He was fiercely ambitious, brimming with questions and demanding rigorous answers. He wanted to dissect the mechanics of composition, to master every detail, to understand not just what worked but why. Haydn’s relaxed approach felt to Beethoven like neglect. Tensions simmered. Beethoven felt Haydn was distracted, and his mistrust deepened. He sought other teachers including Johann Albrechtsberger, a renowned theorist, to improve his counterpoint, and to Antonio Salieri for help with vocal writing. To a proud man like Haydn, this must have felt like a betrayal. In Beethoven’s defense, sort of, his dissatisfaction wasn’t born solely of arrogance or impatience; he was acutely aware of the stakes. His patrons in Bonn had written to Haydn directly, urging him to guide Beethoven in the ways of Mozart, whose death two years earlier had left a gaping hole in Vienna’s musical landscape. Beethoven knew he wasn’t just another pupil; he was expected to become a successor to greatness. This expectation drove him relentlessly, sometimes to the point of alienating even those who wished to help him. Still, the lessons continued. Beethoven absorbed much from Haydn, even if he refused to fully admit it at the time. The older composer’s mastery of form, his ability to balance structure and surprise, and his sheer inventiveness left an indelible mark on the younger man. Beethoven’s early works—his first symphony, his first string quartets—bear Haydn’s influence unmistakably, though Beethoven’s fiery personality and bold ideas were already beginning to break through. Years later, when Beethoven had ascended to the heights of fame, he spoke of Haydn with mixed feelings. He acknowledged his debt but often in begrudging terms. Haydn, for his part, recognized Beethoven’s genius but lamented their lack of mutual understanding. In one poignant moment, Haydn reportedly remarked, “Beethoven is clever, too clever; he will never be able to do things so lightly as I.” Looking back, it is easy to romanticize their connection. But, it was only after several drafts in writing this that I realized why the story wasn't hitting me the way I expected. That's because I didn't realize who was the main character.
In some productive relationships, you don't have to be friends. You don't even have to like each other. But if you can combine talents and find a way to work together, you might help create things that will enhance societies many, many years in the future. Good lesson for today, don't you think? And it would be even if it didn't have anything to do with music. Oh, we need a quote. I was going to go with one from Haydn, but then I came across this one from Beethoven that made me realize just how difficult a student he must have been. Here he is, talking about himself, and addressing the princes to were his patrons: What you are, you are by accident of birth; what I am, I am by myself. There are and will be a thousand princes; there is only one Beethoven.
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